Tangerine 2015 production1/21/2024 People went in curious about the iPhone factor, and came out raving about one of the most energetic and refreshing independent comedies in years. The buzz for Tangerine coming off its world premiere at the Sundance Film Festival was quite ecstatic. Sin-dee, in particular, will scream and shout and not stop until she gets her revenge. They are, of course, affected by the stigma that still comes with identifying as trans in this world, but they don’t let the struggle be the only thing that defines them. Sin-dee and Alexandra are refreshing because they are so self-assured and aware of their reality. The number of movies with trans protagonists is frankly pathetic, especially when it comes to featuring characters who don’t spend most of the running time self-hating and bemoaning the fact that their bodies don’t match their desires. The low-fi aesthetic makes the movie feel ultra-realistic, sharing frame rates and camera angles with documentary filmmaking, but Baker’s high-strung directing also makes it seem otherworldly, like we’ve entered territory we had never visited before. looks like an over-saturated mess, bathed in colors as extreme as the garish music he chooses to score most of the scenes, and as hyperactive as his camera, which swoops and rushes around his characters as they make their way through their day-long odyssey. trying to find, and smack the shit out of, this woman.Īs shot by Baker, L.A. It’s a revelation that not only puts the plot in motion, but kickstarts it by blasting electronic hip-hop as Sin-dee stomps through the streets of L.A. Just seconds into the movie, while sharing a donut with her now free friend, Alexandra lets slip the fact that Sin-dee’s boyfriend and pimp Chester (James Ransome) has been cheating on her with a woman who is not only white, but has a vagina or as Sin-dee refers to her, “a white fish”. Our protagonists are Sin-dee (Kitana Kiki Rodriguez), who has just been released from a 28-day stint in jail, and her best friend Alexandra (Mya Taylor). So yeah, the image quality in Tangerine can be grainy and jerky in scenes with lots of movement, but the iPhone aesthetic is particularly well suited for the story of the very hectic Christmas Eve of two Los Angeles trans prostitutes. From the information I’ve gathered it is pretty clear that this is not the first movie to have been entirely shot using a phone, but it’s certainly the highest profile one – which is saying a lot considering Tangerine is a micro-budget independent production. The first thing most people learned about Tangerine, the latest film by director Sean Baker ( Starlet), was that it was shot on an iPhone.
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